Like a Hantike: come statua di Giove. Hide yourself! Does he recognize his son-in-law here in this gentleman? Parole d'honneur! about to say goodbye to Sophie Lively staging, stylish singing and a welcome intrusion of wartime reality. Then I want to hold you, that you will not escape me again! MARIANNE BARON very stunned Dad! SECOND LAKAI have run aground He is it! That I have to see the man's picture, so cheeky, so outrageous with her. Police! Is my body song, does she know that? Try to read it by keeping it very far away from you. PRINCESS A bissel maybe, but I've erfangen me and did not pre-tells me: It will not stand for it. leaves off Octavian and again assumes graceful attitude 26 January 1911, Dresden (Hofoper) Cast. Commissioner, I have a record, but the Baron must not listen. Marshal alone. Then they run quickly, hand in hand, out. La commande 1-Click n'est pas disponible pour cet article. Not today, not tomorrow! to the baron, with clenched fist If you are too stupid as to how I behave, and if you refrain from being a practicing one in such matters, then I do not know what you have about me! The black side! In doing so, he sees a face that shows itself again in the alcove and stares at him. I am so afraid of him, princely graces. Is also alive! You have to be light, hold with a light heart and light hands and take, hold and let. Marie Theres, I wonder! THE CHILDREN Why is not he hiding from me? I did not hear something beautiful in life! Baron does not find himself in this turn, rolls embarrassed and upset the eyes. Poodle young! Veuillez renouveler votre requête plus tard. Livraison accélérée gratuite sur des millions d’articles, et bien plus. Is not that in His skull? And now sackerlot, now let him the child! to protect in private! BARON To commend myself to the Lord High Commissioner most beautifully. Pour les mélomanes : DER ROSENKAVALIER de Richard Strauss, compositeur autrichien, Comédie en 3 Actes de Hugo von Hoffmannsthal LIBRETTO en ALLEMAND et ANGLETERRE Metropolitan Opera House GRAND OPERA édition Fred. The whole thing was just a farce and nothing more. Can I get out and get away from here! pointing to the medallion libretto by prominent Austrian poet Hoffmanstahl, is considered to be one of the most groundbreaking achievement of the lyrical 20th century German scene. OCTAVIAN Run off with the steward, they snatch their prey from the two intrusive and lead the girl off; Everything is lost, the auditorium remains empty. Notary steps with bowing to the dressing table, where the marshal settled, to the baron left. Baron examines the room. listens I do not want to point him with my fingers, but he stands out with a noble countenance. MILLINER Richard Strauss. Yes, yes, it is you and so true, as it is you, so am I. If he helps me to print the bill down, something falls off for him. Friday, December 13, 2019, 7:00–11:20PM The … I do not want the day! To Him would I have a reason, mon cousin, as to no one in the world, that He could help me if He only had the good will! by dropping the sword Yes, yes, it is you and so true, as it is you, so am I. For God's sake. ANNINA Valzacchi discreetly shows the baron the alcove and the bed through a crack in the curtain. Now, He or gnad, take Him to God! BARON [Richard Strauss; Hugo von Hofmannsthal; Walter Legge]. OCTAVIAN Your lovers are too worried. joyfully breathing half rising, approached her For that I am very indebted to the man. Stop! Quinquin, today or tomorrow He goes and gives me up for the sake of another's sake, a BARON - Decline to the well-bred maiden Bride, who brings the silver roses after the highly noble custom. There you see! has sneaked up against the alcove on the wall, making himself as invisible as possible by the bed La chambre de la Maréchale, princesse de Werdenberg: En l'absence de son mari, la Maréchale (soprano) a passé la nuit avec son jeune amant Octavian, comte de … desperate HOST quickly composed How you were! It is laid out entirely in silver, from head to toe. And what - it's like a lynx behind your back and packed the milking stool that she stumbles and hits! Blessed is I that I am the only one who knows how you are! quietly Can not understand such an astonishment and fear and shame; and on the last 'such a raging beatitude, that the Lord, the gracious Lord, let down even to their baseness! I feel as if I am standing at the heavenly threshold! - has pushed his chair behind the broad back of the landlord, gently takes the hand of the supposed maid About | Baron sees his wig at this moment, which has magically reappeared, rushes to it, pulls it up and gives her the right seat in front of the mirror. OCTAVIAN There is such an influx of young maids from Bohemian over here, I often keep their two, three, in my house until November. Ask for mercy. ) I would like to ask very much! He drives back and involuntarily reaches for the wounded arm. cozy The lackeys, forming a chain, push the waiting people out of the door, who then close them. The suspects follow him on his toes towards the middle. Is even astonished how the young gentleman looks like something similar. Octavian kneels on a stool in front of the bed and half-hugs the Field Marshal, who lies in bed. PRINCESS Baron opens his mouth PRINCESS BARON Me? retreats something Does He Have People Near Who Testify Him? He makes an effort to go to the door on the left. at the door She is well there, dear. The Mashallin's face remains sad. Faninal and the notary start to go inside. Bichette! Der Rosenkavalier, Op. Footmen open the door. BARON He came out quietly, to the marshal, in a low voice OCTAVIAN Stay here for everything. Then I propose Him one. , that you feel it, to whom you belong to me! Lead a child of my own with me. My notary comes more often in the morning. Octavian one step closer I'll marry you, behave yourself with me. You left the door open behind you, you can hear dance music playing in the anteroom (in the background). Silent, watch out! at the same time with her quietly MARCHALLIN Commissarius with two guards appear. with Sophie He sees, Commissioner: the whole thing was just a farce and nothing else. She is around us, she is inside us too. fiery Well, if he does not like you from the beginning, you virgin haughty, look at him from backwards, you'll see what you'll like already. What's going on there? The words ( libretto) were especially written for the opera by the German poet Hugo von Hofmannsthal . OCTAVIAN PRINCESS Make bandage! Per esemplo: Your grace at a young woman - Octavian FIRST ACT. lively Marie Theres' how good it is. Give it my word, I'll probably marry it, too. Give me your Grace the Grasaff 'there to my future wife consort. Or has He not even thought of it, mon cousin? BARON Who embraces too much, he holds nothing .. Der Rosenkavalier. Quickly groaning Be sicker, your grace? Two footmen come in from the right, bringing a screen out of the alcove. alone, passionately, Sit down nicely. Me neither! Is she a right capricorn skull? The medicus! His three people behind this, in a poor attitude. pretends that nothing has happened, waves affectionately at the singer, then enters his servanthood, stroking the bawdy face of the body-lakai combed hair out; then, as if looking for someone, he opens the door to the little door, spies out, annoys, sniffs the bed, shakes his head, then returns. It is well worth the effort. If He keeps me so in His arms nothing ugly can scare me. cries out loud I am very attached to your lover. BARON Just know that I love you, Bichette, they have exchanged you with me, Bichette, where is it? BARON I just hoped that everything in Vienna was like Schnürl. Quinquin, is he listening, Quinquin, is not he remembering? LAKAIEN Have now a mounted head against the men -so very generally! Who is the young person there? sits down, the two guards take position behind him Where did He learn His manners? OCTAVIAN BARON Oh, be good, Quinquin. - Der Rosenkavalier, Act I “The Marschallin, Ochs, Octavian, wealthy Faninal and his daughter… it is as if the vital links forged between these characters have existed for a very long time. DOMO VALZACCHI Everyone has you! which is not at all out of order now it's freeing me a bit hot. Ik exkusier 'mik. The day comes by itself. Does that make any sense? The servants step back, take the faninal easily from the wine pot and drink it empty. MARCHALLIN beats a cross At the corner, in the chimney, 'inside the beds - in a barrier, under the roof, we're here! It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière’s comedy Monsieur de Pourceaugnac. He looks up at her. She has what it takes! Break BARON The poor woman baroness! The Miss, in short, the Miss does not like Him. And his health The field marshal? The commissarius makes a bundle out of it. Do not worry about it, Rofrano, that your father was a string maker, is in good company, the same Marchese. How does he get to the girl? embarrassment. Who? enters from the right, in a morning suit with riding boots Waiter in, tear open the door. He goes to the left. faces Sophie sees her searchingly but kindly at As a donation inter vivos or - You say'! Rofrano, Mr. Marchese's second brother. Have it from the princess's own mouth, and because the Faninal belongs, so to speak, now to the kinship! Do he make his statement or I'll open other strings. 1911: 'DER ROSENKAVALIER' (Richard Strauss) On January 26, 1911, the comic opera in three acts 'der Rosenkavalier' was premiered in the Semperoper of Dresden, with music by Richard Strauss and original German libretto by Hugo von Hofmannsthal and the same composer, slightly based on the novel ' Les amours du chevalier de Faublas ' by Louvet de Couvrai and the comedy … command that I - should not I - the virgin - the father - Father! FIRST LAKAI OCTAVIAN Libretto by Hugo von Hofmannsthal. Beautiful monkeys, if you create highness, I also have birds from Africa. is silent FANINAL alone Throws the baron languishing glances Let me have the child! OCTAVIAN Steward off 59. What craft is He doing? BARON Your Grace is the condescension itself. The empty air. screaming wildly There you are, who, when you come from such a house. Haha!The reverse has also happened! Oh, what a scandal! Can I still serve the cousin for now? To the monastery! BARON - Baron von Lerchenau! to the Baron And if it must be, I'll give him the instruction in the spot! BARON Central door to the antechamber. automatically escaping from him) Report 'He now! Run and 'ole His grace! Out of these rooms! BARON But that I say it, the girl is pretty enough for an angel. Your lovers have a keen eye! OCTAVIAN cheeky and clumsy Will not do it. Is only an acquaintance, is by chance here in the inn. Oh!Jesus, Marial Comedie en musique en trois actes. I do not go with the Lord. All about Der Rosenkavalier [libretto] by Hugo von Hofmannsthal. Let it be good now. DE ROZENKAVALIER. Imagine who he is and what he does to you, so the faxes will go straight away. Not there, there is the anteroom. OCTAVIAN BARON Do you leave your sword in a lady's bedroom? Is he complaining about that, Quinquin? determined pretty stunned Selbstverständlich empfängt mich Ihre Gnaden (Baron Ochs auf Lerchenau) Libretto: Hugo von Hofmannsthal. MARSHALLIN SOPHIE That's how he goes. PRINCESS Has a bastard, quite a saubres, to sister. The almoner and the valet seem to argue for precedence and rise to each other's feet. May Now He sees well that your graces are delighted to see me. BARON I explain everything to him. SOPHIE Take him to court! Take a step to seize Sophia Die zart rosa und grün marmorierten Wämde und das Funkeln der Kristallüster inspirierten auch Hugo von Hofmannstahl zu seinem Libretto von "Der Rosenkavalier". The similarity! How heavenly, not terrestrial, like roses from the most holy paradise. very loud again Used. Der Rosenkavalier (Le Chevalier à la rose en français) est un opéra en trois actes composé par Richard Strauss, sur un livret de Hugo von Hofmannsthal, dédié à Harry Kessler1 d'après Les Amours du chevalier de Faublas de Jean-Baptiste Louvet « de Couvray ». To Him would I have a reason, mon cousin, as to no one in the world, that He could help me if He only had the good will! and no goodbye! Size 6.8x10.5 inches. Man delights himself, what he has all for ideas, the baron! Here and there and there and there! His 23-year collaboration with composer Richard Strauss began in 1906 when Strauss adapted his 1903 play Elektra, and led to six original librettos including Der Rosenkavalier, Ariadne auf Naxos and Die Frau ohne Schatten. Father! What she is. Annina stands there dressed as a lady in mourning. For a while. No, He is acting too well! SOPHIE That you come back to me! COMMISSIONER nothing And come again, sweetheart, but in man's clothes and through the front door, if you please Him. very seriously The scandal! I do not want to see the day. SOPHIE Understand what a glance your princely graces look at me. Do not make any faxes. The lackeys come back out of breath. The footman Octavians now hands over the case to Marianne. OCTAVIAN Ik can get it. WAITER BARON Des tiers approuvés ont également recours à ces outils dans le cadre de notre affichage d’annonces. be awarded Bin willing everything Vorgefall'ne and forgot to lassen1 quietly apart for middle-aged spinsters. FANINAL Nobody guessed it! The Lerchenausche livery follows at every turn: first the almoner with the son and Leibkammerdiener. The Miss - MARIANNE He knows how to profit, with his seventeen years'! collects with difficulty BARON, Get ready, go against the bed. His Grace, the Count Rofrano, who else? OCTAVIAN to the middle door Libretto List | I am indebted to Your Grace forever, that with Dero's help and supervision - defending it's the field marshal. Vos articles vus récemment et vos recommandations en vedette. Where you got me - just here you are so humble? HOST till the day after tomorrow - If your graces are then commanded that I may hand over the silver roses to Dero's hands, it will be him who brings them up. Footmen come from the right. Murder! pointing to the place where the apparition disappeared That's a long way. for themselves . with grandeur effusive Where does He think? There! Never touched it, not with the Feuerzang '! quietly tries to sit down, extremely occupied by the presence of the pretty chambermaid. I love you. OCTAVIAN I know how to comfort myself in the narrowest hiding place, knows gallantly how to behave in the alcove. PRINCESS a pause of confusion I would have parrots from India and Africa. MANY VOTES disappears See: Der Rosenkavalier, suite, TrV 227d (1945) Walzerfolge No.1 aus 'Der Rosenkavalier' compiled in 1944 from Acts I and II and Walzerfolge No.2 aus 'Der Rosenkavalier', compiled in 1911 from Act III For Cello (Dechert) The field marshal sits in the grassy forest and hunts for bears and lynxes. Now He sees well that your graces are delighted to see me. goes over quietly to the baron Consider it beneficial the more it is degoured. A Lerchenauer has never been no spoilsport. If only so much in him is of a cavalier, then he will probably be satisfied with what he has heard from me! undertone Only leave inside. The stable pag 'hands Joseph his whip. I do not even know her that well. Eh bien, Mamsell, what has she got to tell me? Serve jump, catch it. I agree unflawed! little break, with naivety over the shoulder to Octavian The name of the Rosenkavalier and all the names of your new princely kinship call out. cheerfully, he very submissive knows Everything down in the yard is my Altmosenier. The room is bewitched. calm In the second, six-legged, he sits himself, the Rosenkavalier. What does the woman want from me, Herr Wirt! What should that be? first muffled, extinguish a number of candles again, with some difficulty burning the high wall, to Valzacchi Immediately in the beginning. Otherwise no doors. In some cases we have included scores of operatic works, mainly for most important works, or if a libretto was not available. my Lord and Savior! The Empress must give it to me again! I had migraine this morning. The poor woman, the poor woman baroness! in the way of the Baron NOTAR yes, yes, it will be the same. above, to himself pondering The cousin is, I see it, no Kostverächter. With eyes filled with tears, she comes to me to complain. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. As? Toward to the marshal, loud Half funny, half sad. Find the whole qui-pro-quo delicately, but now you need your protection. she has to laugh the arms crossed over the chest, the group looks at each other. And only feel you and know only one thing: I love you. In the fun! It behaved as it was commanded. He's just giving one, fast! I'm not so unhappy, with this submissive supplication Dero displeased ... Maidenred 'is not haunted and not stung! paves the way towards the door I do not have a vow "- in that I shall endure it with a very composed heart ..." Today or tomorrow or the day after next, with expression laughing to the steward SOPHIE It is my husband! screaming to two And yet, must laugh, as imagined by such a Loder at the age of seventeen the world: means, God knows how he kontueveniert me. Alas, where you are but to do a bridegroom. For you and me you have to fight back and stay - I am very devoted to devotion to the young man! Stop her defending him as soon as he sees the notary, eagerly to Sophie, without suspecting what is going on in her A grasaff 'appetizing, not fifteen years! The real one is so thick again! They are on the left, pretty much in front of the door. left front not my eyes to blame. kneeling down Once again the baron scares off the fright, forcing cheerfulness back into his face, when his eye falls again on a strange head, which stares out of the wall. Allow me to be the faithful maid Marianne Leitmetzerin -. As I see Him, so I see pretty many. Fred.Rullman, Inc.,/Boosey et Oh! You're just what you are, and you do not have to prove it. My chambermaid, a young thing from the country. FOURTH LAKAI The at the window I love you excessively. FANINAL door You must be cross-loving, the music goes into the blood. PRINCESS towards him, with the safety of the Great Lord wants behind him the crashes Do not want all that, that I would not have felt the girl - his rebellious rebellion! There, did not I say it? The marshal speaks quietly to the commissioner. Will come overnight that you will know very gently what I am to her. Is even astonished how the young gentleman looks like something similar. to Octavian half-tone occurs He owes that alone, Quinquin! SOPHIE himself with difficulty And everywhere there is something and lurking and peering through the gates, and sneaking together and lying together, and everywhere sings and bends in the hips and milks what mows and what and splashing and splashing something in the brook and in Pferdeschwemm '. BARON To awaken the humility in me, I have to humble myself. I have to wonder . If I were not a man, my senses would want to go away. BARON go off together with the mother With Him now in the interrogation! his eyes fixed on him is very embarrassed half to himself PRINCESS There! COMMISSIONER Mingling my name and honor in such a deal, son-in-law! Just dwell! The noise in the wardrobe is getting bigger, listening Faninal rushes in to the door on the left, behind him the notary and the scribe, who stop anxiously in the doorway. Ah, he's good, he does not have to know everything. What's going on here? OCTAVIAN his head in his hand and remains in a dreamy attitude until the end, SECOND ACT blushed Meanwhile, Octavian's livery stood backwards motionless. MARCHALLIN He has to grant me his protection - now with the old sense of self to the commissarius When I return, I will guide your future master by the hand. Just put it down. Der Rosenkavalier (The Knight of the Rose) is a comic opera in three acts by Richard Strauss to an original German Libretto by Hugo Van Hoffmannsthal. Nobody comes in here! I want to have supper in peace. Who assigned him here? Beautiful monkeys, if you create highness, I also have birds from Africa. Half the city is on the feet. ANNINA - OCTAVIAN whispered to him eludes him SOPHIE Quickly he takes off his wig and seeks a place to put it down. stares at her stunned No!Do not search! 59 TrV 227 Act I • 3. now that she is unobserved, in a free voice BARON Here is a synopsis of the three acts. He cries. Jan Cober worked extensively on this arrangement and carefully composed this new suite. BARON wailing Let's get it from our people, where are they? FANINAL I have to admire your lovers very much. A cavalier needs patience to be his son-in-law. Changed? MARSHALLIN - With eyes filled with tears, she comes to me to complain. THE KIDS BARON Is still a right-touch-not-on. The entrance, where he deserves it, will be known to the wife, and as far as the children are concerned, if they will not concede to them the golden key-Va bene! BARON Then we move to the palace of Faninal. And who of the relatives did your lovers look for this honorary post? angry very loud Baron seeks to shade the baldness of his head in front of Sophie with feigned severity Today or tomorrow or the day after tomorrow. frantic in mute rage, crushes the glass he holds in his hand and throws the pieces to the ground BARON in a woman's coat and jacket, the hair with a handkerchief and a band like in a bonnet, steps out and kinks SOPHIE I come'. That may be true. Keep to graces, do not go too far, could be quite evil consequences g'spürenl Bitterböse! But now I can not humble myself. Will not you wait? PRINCESS Cet article ne peut pas être livré à l’adresse sélectionnée. SOPHIE That will probably know you! Must laugh about the Filou, the poodle boy. Let him be well. trusting, almost tender BARON But then suddenly, you feel nothing but her. Such a heavy blow! softly while she speaks! MARSHALLIN do the French reverence with two repetitions Not a look, not a sweet greeting? the Mohammed! Here no bridegroom and no maidservant does not sit: here sits a lover at the supper with his most beautiful. 59 TrV 227 Act I • 3. VALZACCHI suspiciously startling Think about where it is: in Raitzenland, still back from Esseg. SOPHIE the baron from behind, very masculine PRINCESS Make my compliments to him. Are the more in the clear. From the beginning! HOST Are you easily surrounded by the cousin Taverl? with Marianne right, half aloud OCTAVIAN PRINCESS He takes his hand, bends over it, kisses her quickly, before he can take it from her, he kisses her on the mouth OCTAVIAN BARON - He must grant me his protection, what he will, I will be able to do; Snell, just snell, ik has to 'old this' err! OCTAVIAN ANNTNA ANNINA Tell me that you belong to me! I do not think that I will make him happy! The two Faninal's servants step out, stop him, push him back, Sophie enters the door, which closes behind her , Sometimes I get up in the middle of the night and leave the clocks all, all stand. I do not admit that, stay here for your mercy. she strokes angry MARIANNE Waving Annina to her, quietly left with her, the door silently closing behind him. Tell 'em what you're most looking forward to in the Eh'. to the baron OCTAVIAN in mirar due vaghi rai. There is your vision - and there is nothing - it seems to me that I have the congestion. In the rounded corners on each side a small invisible door. LibraryThing is a cataloging and social networking site for … BARON OCTAVIAN Am I not like a good dog on a good track? Do not worry about it, Rofrano, that your father was a string maker, is in good company, the same Marchese. Sitting in the touring car since five o'clock in the morning. I have to tell him about my father: Duenna pushes Octavian to leave. Excuse me, Your Grace! The barber with dismay throws himself feverishly on the curls of the Marshal and changes him again. comes out between the wall and the screen Bichette! At no price I go in His hand! pulls Sophie with her. No! Livret Der Rosenkavalier, Le Chevalier à la rose - Richard Strauss - Livret d'opéra à télécharger gratuitement. Whoever comes too close to me learns to pray! Get this from a library! in great timidity and embarrassment, always very fast BARON I feel only his hand, which has embraced me! He pauses again, as if to let Sophie speak. BARON The bride. With fear she has to lean against me, her poor heart is quite despondent. OCTAVIAN VOICE OF THE HOUSEHOUSE MASTER Pst, pst, why? They are ordered by composer and name of the opera. and the Frag, I feel that she is forbidden to me. SOPHIE I want to stay there, there! That's why He should know it now! Is the maiden Faninal Sophia Anna Barbara, married daughter of the well-born Lord of Faninal, living in the "courtyard" in his own palace. THE LARGE SHAKE 59: Suite Houston Symphony Orchestra Christoph Eschenbach ----- roughly shouting at the baron He was a writer, known for Arabella (1977), The Girl from Abroad; or, The Great Underworld (1913) and Ariadne auf Naxos (1978). quietly OCTAVIAN I'm happy with him. OCTAVIAN keeps his ears in rage As? now he echappier himself, otherwise my patience rips. PRINCESS Octavian sips. Now tell me! Meanwhile, Octavian's servants are in his colors: white with pale green. her in the word, half-whispered COMMISSIONER SOPHIE SOPHIE Octavian classicworld.at The pale pink and green marbled walls and the sparkling crystal chandeliers also inspired Hugo von Hofmannstahl to write his libretto for "Der Rosenkavalier". There is a notary, the chef, behind this a kitchen boy, who carries the menu. It was first performed in Dresden on 26 January 1911 and … Arias | OCTAVIAN BARON, Kreuzsackerlot! Herr von Faninal pushes through her, hurriedly in hat and coat. Get out! quickly off who has been searching all the time A bigger room? Excuse me, Your Grace! SINGER NEBST FLÖTIST No! We suffer the damage, we are ridiculed and we did not deserve it otherwise. Der Rosenkavalier is a three-act comic opera by Richard Strauss that premiered on January 26, 1911, at the Konigliches Opernhaus in Dresden. How beautiful she is! I did not hear something beautiful in life! Because of what?
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